Akropolis Reed Quintet & BodyVox Dance: NINETEEN • TWENTY
Speak Easy. Dance Wild.
Chamber Music Northwest and BodyVox, with the Akropolis Reed Quintet, collaborate to premiere NINETEEN*TWENTY, an exploration deep into the heart and soul of the 1920s at the newly opened Patricia Reser Center for the Arts. Delving into the explosion of creativity in music, art, and dance of this amazing era, we will translate these converging cultural forces into a performance of vivid, vibrant dance and imaginative, emotive music that’s deeply theatrical, extremely physical, and undeniably entertaining. Delighting in the grit and the glitz with a sweeping, dazzling, high-energy show, NINETEEN*TWENTY will bring the rise and fall of this iconic golden era to life!
This is the ninth collaboration between Chamber Music Northwest and BodyVox that combines Chamber Music Northwest’s world-class music and BodyVox’s unique athleticism, humor, and rich imagery. Experience this long-awaited premiere — a hold-over from March 2020 — at one of the very first performances in Beaverton’s stunning new Patricia Reser Center for the Arts!
Co-presented with BodyVox Dance
“It’s a theatrical blend of live music, acrobatic dancing, and a poetic use of props.”
— Portland Mercury
Learn more about Akropolis Reed Quintet
Learn more about BodyVox
PROOF OF FULL VACCINATION (including booster) REQUIRED
LEARN ABOUT OUR CURRENT COVID POLICY HERE
Thank you to these outstanding CMNW supporters who have stepped in to sponsor performances:
March 17 Marilyn Crilley & George Rowbottom
March 18 Evelyn Brzezinski
March 19 co-sponsors Joseph Anthony & Heidi Yorkshire
Learn about how you can help make the music happen as a sponsor HERE
Patricia Reser Center for the Arts
Thursday, 3/17 • 7:30 pm
Friday, 3/18 • 7:30 pm
Saturday, 3/19 • 2:00 pm
Saturday, 3/19 • 7:30 pm
Program
Click on any piece of music below to learn more about it.
- DMITRI SHOSTAKOVICH Jazz Suite No. 1: III. Foxtrot (1939)
- GEORGE GERSHWIN Piano Prelude #1 (1926)
- GEORGE GERSHWIN Piano Prelude #2 (1926)
- GEORGE GERSHWIN Piano Prelude #3 (1926)
- DUKE ELLINGTON East St. Louis Toodle-Oo (1927)
- DMITRI SHOSTAKOVICH Jazz Suites: Waltz #2
- MARC MELLITS Splinter (2014)
- FRANCIS POULENC Les Biches (1924)
- IRVING BERLIN Blue Skies (1926)
- MAURICE RAVEL “Le Tombeau de Couperin”, Prélude
- SATIE Gnossienne No. 1
- SATIE Je Te Veux
- DUKE ELLINGTON The River Suite (1970), VIII. The Neo-Hip-Hot Cool Kiddies Community
- JOPLIN Solace (1909)
- GEORGE GERSHWIN An American in Paris (1928)
Artists
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Akropolis Reed Quintet Wind Quintet
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Tim Gocklin, oboe
Kari Landry, clarinet
Matt Landry, saxophone
Andrew Koeppe, bass clarinet
Ryan Reynolds, bassoonCelebrating their 16th season as “a sonically daring ensemble who specializes in performing new works with charisma and integrity” (BBC Music Magazine), the Akropolis Reed Quintet comprises five reed players and entrepreneurs unbounded by limits or categorization. Described by The Wire as a “collective voice driven by real excitement and a sense of adventure,” Akropolis has graced the Classical Billboard Charts with each of their last three albums, including #2 in April, 2024. Winner of seven national chamber music prizes including the 2014 Fischoff Gold Medal, Akropolis is known for performing “works that brilliantly exploit their unique instrumentation” (Gramophone). Composed of the same five members that brought about its founding in 2009, Akropolis delivers 120 concerts and educational events worldwide each year and has premiered and commissioned more than 150 works by living artists and composers. Ever since “[taking] the chamber world by storm” (Fanfare), the five Akropolis artists have remained united by a shared passion to make music that sparks joy and wonder.
The ensemble’s 6th album, Are We Dreaming the Same Dream?, with two-time Grammy-nominated composer/pianist Pascal Le Boeuf and drummer Christian Euman, was released in April 2024 on Bright Shiny Things. Live performances of Are We Dreaming the Same Dream include University Musical Society, Chamber Music Corvallis at the PRAx Center, and the Williams Center for the Arts. Reflecting the influences of Geri Allen, Dave Brubeck, Charles Mingus, and Leonard Bernstein (all of whom explored themes of American unity or disunity), the project probes the idea that diverse strands of experience, more than one unified “dream,” are what define America.
The quintet’s previous album, Hymns for Private Use (Bright Shiny Things, 2022) ranked in the top 10 on the Classical Billboard Charts, drawing glowing reviews from critics. Featuring works by Nico Muhly and Annika Socolofsky, plus collaborations with seven small business owners, the album was praised by Textura for both its “resplendent” musical selections and the “exquisite playing” of the quintet.
Experimenters and creators at their core, the five artists of Akropolis are routinely lauded for their boldness and innovative spirit. As The Wire commented: “There’s nothing tentative in their approach, and that extends to their programming of multifariously challenging and imaginative new works.” Akropolis has collaborated with poets, a metal fabricator, dancers, small business owners, string quartets, pop vocalists, and others from all walks of life.
The quintet is also known for powerful collaborations with youth and others within its Detroit community. Certified as a 510(c)(3) nonprofit organization, Akropolis is the recipient of the 2015 Fischoff Educator Award, as well as seven consecutive grants from the National Endowment for the Arts. The ensemble runs a Detroit-based summer festival called Together We Sound and holds annual, school year-long music composition residencies at Cass Tech, Martin Luther King, Jr., and Detroit School of Arts high schools. Akropolis also produces the Akropolis Chamber Music Institute, a ten-day artist training and mentorship program in Petoskey, Michigan. With the belief that anyone can compose great music, Akropolis premiered and recorded more than 30 works by youth aged 12-22 during their 2023-2024 season alone.
Described as “pure gold” by the San Francisco Chronicle, Akropolis Reed Quintet performs worldwide and is represented exclusively by Ariel Artists.
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BodyVox Dance Company
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Led by Emmy Award-winning choreographers Jamey Hampton and Ashley Roland, BodyVox is known for its visual virtuosity, distinctive wit and unique ability to combine dance, theater and film into breathtaking productions rich in imagery, athleticism and humor. Since its founding in 1997, BodyVox has toured to critical acclaim on stages around the world, developed 9 award-winning films, 30 original shows, and 3 operas, featuring more than 200 original dances.
Based in Portland, Oregon, BodyVox’s movement surges from a fascination with the endless possibilities of the human body in motion, informed by years of cross-training and layers of experience. Hampton and Roland are distinguished artists on the world stage, formed by their years working as creators and performers with innovative dance companies Momix, ISO Dance, and Pilobolus. BodyVox builds upon this tradition of excellence with a unique voice that is equally influenced by its Northwest roots and world view.
Adding to its full-evening shows and repertory pieces, BodyVox’s films have won numerous awards in national and international festivals. “Modern Daydreams” – composed of “Treadmill Softly,” “Islands in the Sky,“ Unleashed” and “Deere John” – won the prestigious American Choreography Award for Outstanding Achievement in Short film in 2002.