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Revelations: Schiff, Schubert, Franck & Ravaei

Revelations: Schiff, Schubert, Franck & Ravaei

Bach-inspired artistry and innovation ensue with Oregonian David Schiff’s Divertimento from his acclaimed Gimpel the Fool alongside the World Premiere of iPod Variations by one of America’s most unique emerging voices, Iranian American composer Kian Ravaei. Schubert’s enchanting The Shepherd on the Rock pairs soprano Hyunah Yu’s soaring voice with Artistic Director Emeritus David Shifrin’s lyrical clarinet, followed by a glorious conclusion with César Franck’s opulent Piano Quintet featuring pianist Yekwon Sunwoo and returning Protégé Quartet, Opus13.

7 pm | Kaul Auditorium Prelude Performance with local young artists

We have a special tradition of “picnics” before concerts at Reed College’s Kaul Auditorium. Reed’s catering service, Bon Appétit, offers food and drink service beginning at 6pm. Alternately, you can bring your own picnic, but alcoholic beverages must be purchased on-site.

CMNW Commission • World Premiere

Kian Ravaei’s iPod Variations was commissioned by CMNW with generous support from the members of the CMNW Commissioning Club.

Gold Sponsors:
Bill & Diana Dameron

Reed College, Kaul Auditorium
Saturday, 7/12 • 8:00 pm PT

Program

Click on any piece of music below to learn more about it.

DAVID SCHIFF (b. 1945) Divertimento from “Gimpel the Fool” (1982)

DAVID SCHIFF “Divertimento” from Gimpel the Fool

This was the first of the many works I composed for David Shifrin and Chamber Music Northwest. At Shifrin’s suggestion, I arranged music from my opera Gimpel the Fool, based on the famous story by I. B. Singer. The Divertimento has become my most popular piece and has been performed just about everywhere, but most memorably in the Palais de Luxembourg, in Paris. The Divertimento is drawn from several numbers in the opera. The movements are: Overture/the Rabbi; Wedding Song; Bread Song; Badkhen’s Song/Mazel Tov.

The idiom of my opera Gimpel the Fool owes much to the sound of the Klezmer band. Instead of trying to imitate authentic Klezmer music (which was just being revived when I started working on the opera in 1975) I sought to reconstruct the sound of this music from the traces it left in the works of Mahler, Stravinsky, and Kurt Weill. The music of the opera is unified by the use of the four Jewish liturgical scales and of “nusach,” traditional melodic formulas from Jewish liturgy, particularly from the High Holiday services.

—© David Schiff

KIAN RAVAEI (b. 1999)  World Premiere “iPod Variations” for flute, violin & electronics (2025)

KIAN RAVAEI iPod Variations for flute, violin & electronics

In iPod Variations, I return to the music I loved as a teenager in an attempt to recreate my musical DNA. Like a shuffled playlist, each variation juxtaposes the musical styles of two different artists that were on my iPod, a technology that already evokes a previous era. It may seem unusual to pair Hendrix with Handel, or Bob Dylan with Deadmau5, but in my teenage years I didn’t grasp the importance of historical context—it was all just music to me. Here, I put listeners in the same position through eclectic contrasts.

By adding to the flute and violin soloists an arsenal of recorded instruments—harpsichord, fretless bass, Hammond B-3 organ, Persian tār, and video game sound chips, to name a few—I tried to condense ten years of listening into roughly ten minutes of music, paying homage to guitar-shredding heroes (I, II, IV), jazz idols (III, V), and electronic music masters (II, VI). Like Bach’s Goldberg Variations, the piece ends with a return to the opening aria—but now in an idealized rendering, as though seen through the lens of a nostalgic memory.

—© Kian Ravaei

SCHUBERT “The Shepherd on the Rock,” D. 965

SCHUBERT Der Hirt auf dem Felsen, D. 965 (The Shepherd on the Rock)

One month before his death, Franz Schubert completed Der Hirt auf dem Felsen, one of his last two songs, to fulfil a request from Berlin opera diva Anna Milder-Hauptman for a concert aria. Today, Der Hirt auf dem Felsen is a popular showpiece for sopranos and clarinetists alike; it requires the utmost virtuosity from both musicians, along with a well-supported tone to properly execute Schubert’s lyrical phrases.

For the text, Schubert turned to a familiar poet, Wilhelm Müller, whose poems he had used in the song cycle Die schöne Müllerin. Schubert combined Müller’s words with a poem by Wilhelmine von Chézy; in 1823, Schubert provided incidental music for her play Rosamunde.

The themes of Der Hirt auf dem Felsen—ecstatic paeans to nature, beautiful landscapes, absent lovers longing for one another—were familiar territory for Schubert. Rather than write a typical lied for voice and piano, Schubert added a solo clarinet to the mix. The inclusion of the clarinet created a dialog between singer and instrumentalist, and allowed Schubert to more fully explore the deeper emotions of the middle section.

The songs begins with a shepherd perched high on a mountain singing to his lover below; the clarinet echoes back up the slope. The second section, in a melancholy minor tonality, expresses sorrow and uncertainty about the future, but joyful enthusiasm abounds in the final section, a celebration of spring’s awakening.

—© Elizabeth Schwartz

FRANCK Piano Quintet in F Minor

CÉSAR FRANCK (1822–1890)
Piano Quintet in F Minor

I.  Molto moderato quasi lento
II.  Lento con molto sentimento
III. Allegro non troppo ma con fuoco

César Franck’s Piano Quintet in F Minor began with a minor scandal that had little to do with the music itself. To trace its history, first we must meet Augusta Holmès.

Holmès, a Parisian singer and composer, rose to prominence in the 1870s for her talent and advocacy for women in the arts. Her peers idolized her; the composer Camille Saint-Saëns even proposed to her, recalling later, “Literary men, painters, musicians—any one of us would have been proud to make her his wife.”

Holmès began taking lessons with Franck in 1876, soon counting the Belgian composer as her most admired teacher. As for Franck, he may have revealed romantic feelings for Holmès in his Piano Quintet—a belief held by many since its 1880 premiere. None other than Camille Saint-Saëns played the role of pianist. By the piece’s final bar, Saint-Saëns’s distaste was evident to everyone in attendance. But the only person who disliked it more than Saint-Saëns was Franck’s own wife.

Despite its fraught premiere, Franck’s lyrical quintet soon became an audience favorite. His austere personality resounds in its broad lines and serious tone, while his feelings for Holmès may just explain the youthful exuberance that shines through.

—© Ethan Allred

Artists

Gloria Chien Gloria Chien Piano & Artistic Director

Taiwanese-born pianist Gloria Chien has one of the most diverse musical lives as a noted performer, concert presenter, and educator. She made her orchestral debut at the age of sixteen with the Boston Symphony Orchestra with Thomas Dausgaard, and she performed again with the BSO with Keith Lockhart. She was subsequently selected by The Boston Globe as one of its Superior Pianists of the year, “who appears to excel in everything.” In recent seasons, she has performed as a recitalist and chamber musician at Alice Tully Hall, the Library of Congress, the Dresden Chamber Music Festival, and the National Concert Hall in Taiwan. She performs frequently with the Chamber Music Society of Lincoln Center. In 2009, she launched String Theory, a chamber music series in Chattanooga, Tennessee that has become one of the region’s premier classical music presenters. The following year she was appointed director of the Chamber Music Institute at Music@Menlo, a position she held for the next decade.

In 2017, she joined her husband, violinist Soovin Kim, as artistic director of the Lake Champlain Chamber Music Festival in Burlington, Vermont. The duo became artistic directors at Chamber Music Northwest in Portland, Oregon in 2020. They were named recipients of Chamber Music Society of Lincoln Center’s Award for Extraordinary Service in 2021 for their efforts during the pandemic.

Most recently, Gloria was named Advisor of the newly launched Institute for Concert Artists at the New England Conservatory of Music. Gloria released two albums—her Gloria Chien LIVE from the Music@Menlo LIVE label and Here With You with acclaimed clarinetist Anthony McGill on Cedille Records.

Gloria received her bachelor, master’s, and doctoral degrees at the New England Conservatory of Music with Wha Kyung Byun and Russell Sherman. She is Artist-in-Residence at Lee University in Cleveland, Tennessee, and she is a Steinway Artist.

Artist's Website


Upcoming Concerts & Events

Edvard Erdal Edvard Erdal Violin

The Norwegian violinist Edvard Erdal (b. 1996) is a sought-after chamber musician and orchestra leader. He currently holds the position of First Concertmaster of the Kristiansand Symphony Orchestra in Norway. Edvard is a founding member of the string quartet Opus13, which was awarded 2nd prize in the prestigious Banff International String Quartet Competition in 2022. Edvard plays a Lorenzo Storioni violin dated 1780, generously on loan from Snefonn AS.

Alexi Kenney Alexi Kenney Violin

Violinist Alexi Kenney is forging a career that defies categorization, following his interests, intuition, and heart. He is equally at home creating experimental programs and commissioning new works, soloing with major orchestras, and collaborating with some of the most celebrated artists and musicians of our time. Alexi is the recipient of an Avery Fisher Career Grant and a Borletti-Buitoni Trust Award.

Alexi has performed as soloist with the Cleveland Orchestra, the San Francisco, Dallas, Pittsburgh, Detroit, and San Diego symphonies, l’Orchestre de la Suisse Romande, Gulbenkian Orchestra, and the St. Paul Chamber Orchestra. This season, he plays the complete violin sonatas of Robert Schumann with Amy Yang on period instruments at the Frick Collection, Philadelphia Chamber Music Society, and the Phillips Collection.

He continues to tour his project Shifting Ground in collaboration with the new media artist Xuan, which intersperses works for solo violin by J.S. Bach with pieces by Matthew Burtner, Mario Davidovsky, Salina Fisher, Nicola Matteis, Angélica Negrón, and Paul Wiancko.

Alexi is a founding member of the two-cello quartet Owls, hailed as a “dream group” by The New York Times. He regularly performs at chamber music festivals including Caramoor, ChamberFest Cleveland, Chamber Music Northwest, La Jolla, Ojai, Marlboro, Music@Menlo, Ravinia, Seattle, and Spoleto. He is an alum of the Bowers Program at the Chamber Music Society of Lincoln Center.

He plays a violin made in London by Stefan-Peter Greiner in 2009 and a bow made in Port Townsend, WA by Charles Espey in 2024.

Artist's Website

Clancy Newman Clancy Newman Composer & Cello

Cellist Clancy Newman has enjoyed an extraordinarily wide-ranging career, not only as a cellist, but also as a composer, producer, writer, and educator.

He received his first significant public recognition at the age of twelve, when he won a Gold Medal at the Dandenong Youth Festival in Australia, competing against contestants twice his age. He went on to win first prize at the Naumburg International Competition, and he has performed as soloist throughout the United States, as well as in Europe, Asia, Canada, and Australia. A recipient of an Avery Fisher career grant, he can often be heard on NPR’s Performance Today and has been featured on A&E and PBS.

As a composer, he has expanded cello technique in ways heretofore thought unimaginable, particularly in his “Pop-Unpopped” project, and he has been featured on series by the Chamber Music Society of Lincoln Center and the Chicago Chamber Musicians. His piano quintet was premiered at the opening ceremony of the National Cherry Blossom Festival in Washington DC, and in 2021 he was commissioned by the Kingston Chamber Music Festival to produce four educational videos to assist school teachers as they navigated the Covid-19 pandemic.

Currently on the faculty of Princeton University, Mr. Newman is a graduate of the five-year exchange program between Juilliard and Columbia University, receiving a M.M. from Juilliard and a B.A. in English from Columbia.

Artist's Website

Tara Helen O’Connor Tara Helen O’Connor Flute

Tara Helen O’Connor, who Art Mag has said “so embodies perfection on the flute that you’ll forget she is human,” is an Avery Fisher Career Grant recipient, a two-time Grammy Award nominee, and a recipient of the Walter W. Naumburg Chamber Music Award. A Wm.S. Haynes artist, she is a season artist of the Chamber Music Society of Lincoln Center. She is professor of flute at the Yale School of Music and is the Artistic Director of the “Music from Angel Fire” Festival and in 2026, the Essex Winter Series.

Tara has also appeared on numerous film and television soundtracks including Barbie, Respect, The Joker, The Marvelous Mrs. Maisel, Only Murders in the Building, and Schmigadoon! Festival appearances include the Bravo! Vail festival, Chamber Music Northwest, Music@Menlo, Santa Fe Chamber Music Festival, Rockport Music, the Great Mountains Music Festival, and Chesapeake Chamber Music Festival.

A charismatic performer noted for her artistic depth, brilliant technique and colorful tone spanning every musical era, O’Connor has collaborated with such distinguished artists as vocalists Jennifer Johnson Cano, Susanna Phillips and Dawn Upshaw, violinist Jaime Laredo, clarinetist David Shifrin, guitarist Eliot Fisk, and pianists Jeremy Denk, Peter Serkin, and Stephen Prutsman, and with such revered ensembles as the Emerson, Orion, and St. Lawrence string quartets.

Tara has appeared on A&E’s Breakfast with the Arts, PBS’ Live from Lincoln Center and has recorded for Deutsche Grammophon, EMI Classics, Koch International, CMS Studio Recordings and Bridge Records.

Artist's Website

Kian Ravaei Kian Ravaei Composer, Protégé Alumni

Composer Kian Ravaei (b. 1999) takes tone painting to a new level, synthesizing diverse inspirations into evocative musical portraits. Whether he is composing a string quartet inspired by wonders of the natural world, electronic music that evokes the pulsating energy of late-night dance clubs, or a symphonic poem that draws from the Iranian music of his ancestral heritage, he takes listeners on a spellbinding tour of humanity’s most deeply felt emotions.

The 2025-26 season sees a variety of performances, including the New York premiere of Ravaei’s Gulistan at the Chamber Music Society of Lincoln Center, as well as two new string quartets for the Abeo Quartet and Sheffield Chamber Players. He has been named a 2025-26 Classeek Ambassador Programme Artist, and will partake in a one-year career enhancement program alongside six of the world’s most promising classical musicians.

From Carnegie Hall to Pierre Boulez Saal, sought-after musicians such as Grammy Award winner Fleur Barron, Performance Today Classical Woman of the Year Lara Downes, and New York Philharmonic clarinetist Anthony McGill have brought Ravaei’s music to global stages. The Alexander String Quartet capped their 44-year career with a farewell tour that featured Ravaei’s seven-movement string quartet The Little Things. His works have been commissioned by prominent chamber music organizations—among them Seattle Chamber Music Society and Chamber Music Northwest—as well as the American Composers Orchestra, where he is currently a resident CoLABoratory Fellow.

Notable honors include a Copland House CULTIVATE Fellowship—during which he participated in an emerging composers institute at Aaron Copland’s National Historic Landmark home—as well as commissioning grants from Chamber Music America, New Music USA, and the Barlow Endowment. Ravaei’s rapidly expanding catalog has earned him first prize awards in the New York Youth Symphony First Music Chamber Music Competition, the Foundation for Modern Music Robert Avalon Competition, and the Zodiac International Music Competition.

Born to Iranian immigrants, Ravaei maintains close ties to the Iranian community in his hometown of Los Angeles. Many of his works combine the ornamented melodies of Iranian classical music with the colorful harmonies of Western classical music. Mezzo-soprano Fleur Barron and pianist Kunal Lahiry commissioned Ravaei to compose a Persian-language setting of the feminist Iranian poet Forough Farrokhzad for their U.S. tour, culminating in a sold-out Carnegie Hall recital. A passionate speaker, Ravaei was a featured lecturer at the UCLA Iranian Music Lecture Series, where he discussed his multicultural upbringing and its deep-seated influence on his music.

Just days into the COVID-19 lockdown, Ravaei began a daily ritual of playing a Bach chorale at the piano and composing an original chorale in response. What started as a way to ground himself during a period of emotional turbulence blossomed into an artistic reawakening. Over the course of one year and three hundred sixty-five chorales, Ravaei cultivated a “rich harmonic idiom” (Washington Classical Review) rooted in a centuries-long tradition.

As part of his residencies at chamber music festivals across the Western hemisphere, Ravaei engages with local audiences through educational presentations, musical performances, and community events. He was a resident composer at Chamber Music Northwest through their Protégé Project, and later became the inaugural composer-in-residence at Sunkiss’d Mozart. Through a trailblazing partnership between the Wyoming International Chamber Music Festival and the Tenby International Music Festival, Ravaei serves as composer-in-residence of both festivals, helping to foster musical dialogue between the United States and United Kingdom.

Millions of classical radio listeners have heard Ravaei’s music on the airwaves, from New York’s WQXR to Los Angeles’s KUSC. As part of Classical California’s 2024 Ultimate Playlist, the nation’s largest public radio listenership ranked Ravaei’s piece Latif in 26th place—sandwiched between Elgar’s Enigma Variations and Mendelssohn’s Violin Concerto—making him the only living composer in the top 30. His music has been featured on award-winning radio programs such as APM’s Performance Today and WNYC’s New Sounds, as well as his personally curated streaming station for Classical Music Indy.

With numerous commercial recordings, Ravaei has earned critical acclaim from outlets including Gramophone, Bandcamp Daily, and I CARE IF YOU LISTEN. His compositions appear on albums such as Lara Downes’ This Land—a poignant reflection on American identity—and Tallā Rouge’s genre-bending debut Shapes in Collective Space. Fans of electronic dance music will hear Ravaei’s orchestration in the official orchestral arrangement of Wooli & Codeko’s “Crazy (feat. Casey Cook),” which has garnered over two hundred thousand views across streaming platforms.
Choreographers have tapped into Ravaei’s music as a source of inspiration, transforming his vivid sound worlds into dance. They include Marla Phelan—whose innovative fusion of dance and video projections set to Ravaei’s immersive electronic score premiered at the Juilliard Future Stages Festival—and Carly Topazio, who captivated audiences with her choreography to Ravaei’s Family Photos during a joint performance by Art of Elan and The Rosin Box Project. Most recently, Ravaei and choreographer Annie Kahane completed a three-year project to combine Persian and Jewish musical and dance traditions, which debuted at the San Francisco International Arts Festival.

Inspired by the generosity of his own teachers—celebrated composers such as Valerie Coleman, Richard Danielpour, and Derrick Skye—Ravaei pays forward his musical training by empowering others to embrace their creativity. He recently launched the Wales-Wyoming Workshops Composer Fellowship, a tuition-free program for early-career composers from the U.S. and U.K. to gain transatlantic exposure through performance and recording opportunities. In previous years, Ravaei taught composition to historically underserved students as a Composer Teaching Artist Fellow for the Los Angeles Chamber Orchestra, and also held a teaching position at the Indiana University Jacobs Composition Academy, where he mentored composers aged 17 to 70.
Ravaei’s own musical journey has led him eastward from the UCLA Herb Alpert School of Music and the Indiana University Jacobs School of Music to the heart of New York City, where he is currently a C.V. Starr Doctoral Fellow at The Juilliard School.

Artist's Website

David Shifrin David Shifrin Clarinet & Artistic Director Emeritus 1981–2020

Clarinetist David Shifrin graduated from the Interlochen Arts Academy in 1967 and the Curtis Institute in 1971. He made his debut with the Philadelphia Orchestra having won the Orchestra’s Student Competition in 1969. He went on to receive numerous prizes and awards worldwide, including the Geneva and Munich International Competitions, the Concert Artists Guild auditions, and both the Avery Fisher Career Grant (1987) and the Avery Fisher Prize (2000).

Shifrin received Yale University’s Cultural Leadership Citation in 2014 and is currently the Samuel S. Sanford Professor in the Practice of Clarinet at the Yale School of Music where he teaches a studio of graduate-level clarinetists and coaches chamber music ensembles. He is also the artistic director of Yale’s Oneppo Chamber Music Society and the Yale in New York concert series. Shifrin previously served on the faculties of the Juilliard School, the University of Southern California, the University of Michigan, the Cleveland Institute of Music, and the University of Hawaii.

Shifrin served as artistic director of the Chamber Music Society of Lincoln Center from 1992 to 2004 and Chamber Music Northwest in Portland, Oregon from 1981 to 2020. He has appeared as soloist with major orchestras in the United States and abroad and has served as Principal Clarinet with the Cleveland Orchestra, American Symphony Orchestra (under Stokowski), the Los Angeles Chamber Orchestra, and the Symphony Orchestras of New Haven, Honolulu, and Dallas. Shifrin also continues to broaden the clarinet repertoire by commissioning and championing more than 100 works of 20th and 21st century American composers. Shifrin’s recordings have consistently garnered praise and awards including three Grammy nominations and “Record of the Year” from Stereo Review.

Shifrin is represented by CM Artists in New York and performs on Backun clarinets and Légère reeds.

Artist's Website


Upcoming Concerts & Events

Yekwon Sunwoo Yekwon Sunwoo Piano

Yekwon Sunwoo has been hailed for his “unfailingly consistent excellence” (International Piano) and celebrated as “a pianist who commands a comprehensive technical arsenal that allows him to thunder without breaking a sweat” (Chicago Tribune). A powerful and virtuosic performer, he strives to reach for the truth and pure beauty in music.

The first Korean gold medalist of the Van Cliburn International Piano Competition, Yekwon’s 24/25 season included appearances with Ann Arbor Symphony, New York Philharmonic, Colorado Springs Philharmonic, as well as recitals at Bechstein Hall and Carnegie Hall. In previous seasons, he has performed as a soloist with the Munich Philharmonic and Valery Gergiev, Washington Chamber Orchestra, and Baltimore Symphony Orchestra. Collaborations included Clara Jumi Kang, Sebastian Bohren, lsang Enders, Tobias Feldmann, and Gary HoAman.

He has also toured Costa Rica, Guatemala, and Panama with the Kumho Asiana Cultural Foundation and appeared in recitals around Japan and at the Hong Kong Arts Festival.

In addition to the Cliburn Gold Medal, Yekwon has won first prizes at the 2015 International German Piano Award, the 2014 Vendome Prize held at the Verbier Festival, the 2013 Sendai International Music Competition, and the 2012 William Kapell International Piano Competition.

Born in Anyang, South Korea, Yekwon began learning the piano at the age of 8 and made his recital and orchestral debuts in Seoul at 15. His teachers include Seymour Lipkin, Robert McDonald, Richard Goode, and Bernd Goetzke.

In September 2023, Yekwon released his second album for Decca’s Universal Music Korea label, featuring works by Rachmaninov following his 2020 album of works by Mozart. In 2017, Decca Gold released Cliburn Gold 2017: 15th Van Cliburn International Piano Competition, which includes Yekwon’s award-winning performances of Ravel’s La Valse and Rachmaninov’s second Piano Sonata.

Yutong Sun Yutong Sun Piano

Yutong Sun has gained international recognition for his profound artistry and refined musical voice. He is a laureate of numerous major international piano competitions, including second prize at the 19th Paloma O’Shea Santander International Piano Competition, first prize at the 54th Jaén International Piano Competition, and third prize at the 62nd Maria Canals International Music Competition in Barcelona. He has also received top prizes at the Bösendorfer, Horowitz, New Orleans, and Ferrol International Piano Competitions.

Sun has performed as a recitalist at prestigious venues around the world, including Salle Cortot in Paris, Palau de la Música Catalana in Barcelona, Jordan Hall in Boston, the Bolshoi Hall in Saint Petersburg, the Warsaw Philharmonic Hall, the National Centre for the Performing Arts in Beijing, and the Shanghai Oriental Art Center. His performances have been broadcast by Bavarian Broadcasting, Polish Radio, and the Spanish Radio and Television Corporation.

He has appeared as a soloist with the China NCPA Orchestra, the Saint Petersburg Philharmonic, the RTVE Symphony Orchestra of Spain, the Symphony Orchestra of Galicia, the City of Granada Orchestra, the Ukrainian National Symphony Orchestra, the Phoenix Symphony, the Fort Worth Symphony, the Santander Orchestra, and the National Symphony Orchestra of the Dominican Republic. He has collaborated with distinguished conductors including Hugh Wolff, Miguel Ángel Gómez Martínez, Paul Mann, Earl Lee, Nicholas McGegan, Matthew Kasper, Lio Kuokman, Yifan Sun, Maciej Tworek, José Trigueros, and José Molina.

In 2024, Sun joined celebrated pianist Sa Chen and other distinguished pianists for a nationally acclaimed tour of Bach’s Concertos for One to Four Keyboards (in piano version) with the China NCPA Orchestra, performing at major venues in Beijing, Shanghai, and Nanjing.

He has been invited to perform at major international festivals including the Verbier Festival, Kissinger Sommer, the Beethoven Easter Festival, and the Holland International Music Festival.

Sun’s debut solo album, recorded for the Naxos Laureate Series, was released internationally in 2013 to critical acclaim.

Born in 1995 in China, Yutong Sun began piano studies at age seven in Tianjin. He later attended the middle school affiliated with the Central Conservatory of Music in Beijing, where he studied with Professor Chang Hua. Since 2015, he has studied at the New England Conservatory with Professors Alexander Korsantia and Dang Thai Son, earning his Bachelor’s, Master’s, and Artist Diploma degrees. He currently serves as Artist-in-Residence at the Zhejiang Conservatory of Music.

Daniel Thorell Daniel Thorell Cello

Daniel Thorell is a cellist from Stockholm, Sweden. Though only 26-years-old, he has already had great success as a soloist and chamber musician, both nationally and internationally. Praised for his mature and expressive music making, he is currently regarded as one of Scandinavia’s most promising young cellists.

He is a first-prize winner in no less than nine international competitions, most notably Rovere D’oro (2017), where he was also awarded a gold medal. In May of 2019, he was a major prize winner in the 54th Markneukirchen International Cello Competition. He was also a laureate at the sixth season of La Classe d’Excellence de Violoncell with Professor Gautier Capucon.

Born into a family of musicians, Daniel began playing the cello at the age of five. He made his debut as a soloist at the age of eleven, performing Saint-Saëns’s Cello Concerto in A Minor with the Swedish Radio Symphony Orchestra. Since then, he has performed regularly as a soloist with orchestras around Sweden, including the Stockholm Philharmonic Orchestra and Gothenburg Symphony Orchestra.

Daniel is also an experienced chamber musician and since 2019 is a member of the Norwegian-based string quartet, Opus13. In 2022, they were awarded second prize in the Banff international string quartet competition and have performed at festivals such as Kamermuziek festival Utrecht, Risør kammermusikkfest, Valdres sommersymfoni, Midtåsen kulturfestival, and many more. In 2021, they made their debut at the Oslo Quartet Series.

Daniel recently finished his soloist diploma studies at the Norwegian Academy of Music with Professor Torleif Thedéen has studied with a number of renowned professors, including Jens-Peter Maintz, Danjulo Ishizaka, Maria Kliegel, Claudio Bohorquez, and Antonio Meneses. He is a recipient of numerous scholarships from foundations such as SWEA International Scholarship for the Arts and the Royal Swedish Academy of Music.

Albin Uusijärvi Albin Uusijärvi Viola

Albin Uusijärvi, born in 1995 in Nyköping, Sweden, started his musical education in Stockholm and switched from violin to viola at the age of twelve. He studied under Göran Fröst at Lilla Akademien in Stockholm, with Walter Küssner and Tabea Zimmermann at the Hanns Eisler School of Music Berlin, and later with Ulrich Knörzer at the Karajan Academy of the Berlin Philharmonic. Mentors such as Eberhard Feltz, Oliver Wille, and Mats Zetterqvist have also had a great influence on his passion for chamber music.

In 2014, he was awarded first prize in the Polstjärnepriset competition in Gothenburg, Sweden, which led to him representing Sweden at the Eurovision Young Musician Competition, performing live with the WDR Symphony Orchestra Cologne.

After working as solo violist of the Danish Radio Symphony Orchestra, he won the audition for principal violist of his hometown orchestra, the Swedish Radio Orchestra, where he currently collaborates under the leadership of chief conductor, Daniel Harding. He divides his time between his role in the orchestra and as violist of the string quartet, Opus13.

Sonoko Miriam Welde Sonoko Miriam Welde Violin

Norwegian violinist Sonoko Miriam Welde (b. 1996) is winner of the “Virtuos” competition, the Norwegian Soloist Prize 2014, and the Equinor Classical Music Scholarship 2016.

As a soloist she has performed with orchestras such the Oslo Philharmonic, Royal Philharmonic, Bergen Philharmonic, Norwegian Radio Orchestra, WDR Sinfonieorchester Köln, Bournemouth Symphony, and Orchestre de Chambre de Lausanne, and conductors including Andrew Litton, James Gaffigan, Han-Na Chang, Marta Gardolinska, Joshua Weilerstein, and Edward Gardner.

An enthusiastic chamber musician, Sonoko has been championed by Leif Ove Andsnes, with whom she performs regularly, and has also worked with Tabea Zimmermann, Clemens Hagen, Sergio Tiempo, Gidon Kremer, Alisa Weilerstein, Jonathan Biss, and Janine Jansen.

She is a founding member of the string quartet, Opus13, who took second prize in the 2022 Banff International String Quartet Competition.

In 2021, she released her debut album of Bruch and Barber violin concertos and The Lark Ascending with the Oslo Philharmonic on LAWO Classics. It was nominated for the Norwegian “Spellemannprisen” in the classical music category and received rave reviews from publications such as Gramophone, BBC Music Magazine, and The Strad.

Sonoko studied with Janine Jansen in Sion, where she also had lessons with Denis Kozhukhin. She has also studied with Stephan Barratt-Due in Oslo and Kolja Blacher in Berlin. In 2018-2020 she was part of the Crescendo Mentoring Program.

Artist's Website

Hyunah Yu Hyunah Yu Soprano

Applauded for her “absolutely captivating voice with exceptional style” and “effortless lyrical grace” (The Washington Post), soprano Hyunah Yu has garnered acclaim for her versatility in concert and opera roles of several centuries, for her work in chamber music, for her support of newly commissioned work, and for her recorded and broadcast performances.

A recipient of the prestigious Borletti Buitoni Trust Award and known particularly for her performances of the music of J.S. Bach, Hyunah has appeared regularly with esteemed conductors, festivals, and orchestras throughout the US, Europe, and Asia.

An avid chamber musician and recitalist, Hyunah has enjoyed engagements with Baltimore’s Shriver Hall Concert Series, Lincoln Center’s Alice Tully Hall, the Philadelphia Chamber Music Society, the Vancouver Recital Society, the Phillips Collection in Washington, D.C., Musicians from Marlboro, and many others.

A highlight of Hyunah’s opera career was singing the title role in Peter Sellar’s new production of Mozart’s Zaide in the joint production of the Lincoln Center’s Mostly Mozart Festival, the Barbican Centre, and the Wiener Festwochen played in New York, London, and Vienna.  She has recorded Bach and Mozart arias on EMI’s Debut Series and solo recitals broadcast for the BBC Voices program.

Hyunah was a prizewinner at the Walter Naumburg International Competition and a finalist in both the Dutch International Vocal and Concert Artist Guild International competitions. Hyunah also holds a degree in molecular biology from the University of Texas at Austin.

Opus13 Opus13 String Quartet, Protégé

Sonoko Miriam Welde, violin
Edvard Erdal, violin
Albin Uusijärvi, viola
Daniel Thorell, cello

The Swedish-Norwegian string quartet, Opus13, is one of Europe’s most promising, up-and-coming young string quartets. Formed in 2014, the ensemble now comprises Sonoko Miriam Welde, Edvard Erdal, Albin Uusijärvi, and Daniel Thorell. They were 2nd prize winners of the prestigious Banff International String Quartet Competition 2022. In 2023, they received the Norwegian Equinor Classical Music Award, a coveted prize of one million Norwegian Crowns (approx. $96,000). Previous recipients of the award include Leif Ove Andsnes, Lise Davidsen, and Vilde Frang.

They have guested concert series and festivals such as the International Chamber Music Festival Utrecht in the Netherlands, Yeulmaru and Yonsei Chamber Music Festivals in South Korea, Rusk Festival in Finland, Swiss Chamber Concerts, and most of the major chamber music festivals in Norway, including Bergen International Festival, Stavanger, Rosendal, Trondheim, and Risør Chamber Music Festivals. Highlights in 2024 included debuts in Scotland and the United States.

Opus13 has collaborated with international top musicians such as Janine Jansen, Olli Mustonen, Julian Bliss, Alisa Weilerstein, Tabea Zimmermann, Jonathan Biss, and Konstantin Heidrich. They are mentored by Berit Cardas and Bjørg Lewis of the Vertavo Quartet, and have benefitted from masterclasses with many of the world’s leading chamber musicians, including members of the Belcea Quartet, Quatuor Ébène, Artemis Quartett, Oslo String Quartet, and Quatuor Mosaïques.

In their early years, Opus13 received invaluable support and performing experience from the Oslo Quartet Series’ Talent Program and the Crescendo Mentoring Program.

The Opus13s are Founders and Artistic Directors of Vinterspill på Lillehammer, a chamber music festival in the winter town of Lillehammer.

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