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FREE Open Rehearsal: Brahms Sextet No. 1

FREE Open Rehearsal: Brahms Sextet No. 1

Go behind the scenes and observe CMNW’s world-class musicians working together to put the finishing touches on the music for upcoming performances. 

Summer Festival artists take the stage to rehearse Brahms’ profound and emotionally-resonant Sextet No. 1 in B-flat Major.

An informal Q&A follows the rehearsal.

All Open Rehearsals are sponsored by Debbie & George Olsen.

Reed College, Kaul Auditorium
Wednesday, 7/23 • 11:00 am PT

Program

Click on any piece of music below to learn more about it.

BRAHMS String Sextet No. 1 in B-flat Major, Op. 18

JOHANNES BRAHMS (1833-1897) String Sextet No. 1 in B-flat major, Op. 18

I. Allegro ma non troppo
II. Andante ma moderato
III. Scherzo. Allegro molto
IV. Rondo. Poco Allegretto e grazioso

Johannes Brahms completed the first of his two string sextets in 1860, when he was 27. At this time, Brahms, an excellent pianist, was most familiar with his own instrument and had little experience writing for strings; before 1859 all his compositions included or featured piano. Brahms was also intimidated by the prospect of writing a full symphony (it took him almost 20 years to complete his first). A typical string sextet—two violins, two violas, and two cellos—can function like a micro-orchestra, which made it a more approachable medium for composition. As chamber music, a sextet would also not garner the kind of scrutiny Brahms’s colleagues would give to larger work like a symphony.

Given all his trepidations, Brahms was likely pleasantly surprised to discover that the String Sextet No. 1 in B-flat Major, Op. 18 became his most popular work after it was published in 1862. It remained so until 1868, when Brahms premiered his German Requiem.

In Op. 18, Brahms immersed himself in the rich interplay of melody, countermelody, harmony, and rhythm and savored the lower sonorities of the cellos and violas. A cello opens the Allegro with the main theme, fragments of which return throughout the movement. Dotted and triplet rhythms abound, and Brahms also confounds our ears with a four-beat theme in ¾ time.

Listeners may recognize the Andante’s theme and variations; Clara Schumann liked it so much that Brahms gave her a piano transcription of it for her 41st birthday. The Scherzo contrasts Brahms’s unexpected harmonic shifts with propulsive bursts of rhythm. In the closing Rondo, Brahms splits the sextet into two trios: violins and one viola vs. cellos and second viola. The two groups trade themes, counterthemes, melodies, and harmonies and the music ends with a flourish.

—© Elizabeth Schwartz

Artists

Beth Guterman Chu Beth Guterman Chu Viola

Beth Guterman Chu is one of the most sought after violists of her generation. Before joining the St. Louis Symphony Orchestra in 2013 as principal, she was an Artist member of the Chamber Music Society of Lincoln Center and enjoyed a varied career as a chamber musician and recitalist—including collaborations with Kim Kashkashian, Leon Fleisher, Mitsuko Uchida, Gil Shaham, Itzhak Perlman, Menahem Pressler, James Ehnes, and members of the Guarneri, Emerson, and Orion quartets. As a recording artist, she has recorded for Deutsche Grammophon, Tzadik, Naxos, and the CMS Studio Recordings.

Chu has performed as soloist with many distinguished conductors including Hannu Lintu, Nicholas McGegan, Bramwell Tovey, Leonard Slatkin, David Robertson, and James DePreist. Of a recent concerto performance with the St. Louis Symphony Orchestra, St. Louis Dispatch wrote, “Beth Guterman Chu was up to the challenge as soloist in this amphetamine-paced rendering of the best-known work for viola. She brought out the dazzlingly mellow richness of her instrument… Chu showed off her pyrotechnic chops, plowing through frenzied runs with tremendous feeling and passion.”

During the summer Chu performs and works with young musicians at the Marlboro Music Festival, National Youth Orchestra-USA, and the Taipei Music Academy and Festival. In recent years, she has also performed chamber music at festivals in Seattle, Washington; Lake Champlain, Vermont; Portland, Maine; Toronto, Canada; and Bridgehampton, New York.

Beth Guterman Chu received her Artist Diploma at the New England Conservatory studying with Kim Kashkashian and her Bachelor of Music and Master of Music degrees from the Juilliard School studying with Masao Kawasaki and Misha Amory. She grew up in the Boston area and attended NEC Prep for 10 years. She currently lives in St. Louis with her husband Jonathan, another violist, and their three children. She plays on a Samuel Zygmuntowicz viola made in 2022.

Zlatomir Fung Zlatomir Fung Cello

Cellist Zlatomir Fung burst onto the scene as the first American in four decades (and youngest musician ever) to win First Prize at the International Tchaikovsky Competition Cello Division. Subsequent accolades, critical acclaim, and standing ovations at performances around the world have established him as one of the preeminent cellists of our time. Astounding audiences with his boundless virtuosity and exquisite sensitivity, the 25-year-old has already proven himself a star among the next generation of world-class musicians.

In the 2024–2025 season, Fung gives recitals in New York City, Boston, and St. Louis, and performs the complete Bach Cello Suites at Mechanics Hall in Worcester, Massachusetts and in Arcata, California, following summer appearances at the Aspen and Ravinia Festivals. He joins orchestras in Rochester, San Antonio, and Billings, among others. Internationally, he performs in Europe and Asia with the London Philharmonic, Barcelona Symphony, and others, and offers a recital tour of Italy. In January 2025, Signum Records released Fung’s debut album, a collection of opera fantasies and transcriptions for cello and piano.

Fung served as Artist-in-Residence with the Royal Philharmonic Orchestra for the 2023–2024 season; recent debut appearances include the New York Philharmonic, Cleveland Orchestra, Orchestre National de Lille, and BBC Philharmonic, as well as Baltimore, Dallas, Detroit, Seattle, and Kansas City Symphonies.

Fung made his recital debut at Carnegie Hall in 2021 and was described by Bachtrack as “one of those rare musicians with a Midas touch: he quickly envelopes every score he plays in an almost palpable golden aura.” Fung was a Borletti-Buitoni Trust Fellowship Winner in 2022.

Artist's Website

Soovin Kim Soovin Kim 2025 YAI Faculty, Violin & Artistic Director

Soovin Kim enjoys a broad musical career regularly performing Bach sonatas and Paganini caprices for solo violin, sonatas for violin and piano ranging from Beethoven to Ives, Mozart, and Haydn concertos and symphonies as a conductor, and new world-premiere works almost every season. When he was 20 years old, Kim received first prize at the Paganini International Violin Competition. He immersed himself in the string quartet literature for 20 years as the 1st violinist of the Johannes Quartet. Among his many commercial recordings are his “thrillingly triumphant” (Classic FM Magazine) disc of Paganini’s demanding 24 Caprices and a two-disc set of Bach’s complete solo violin works that were released in 2022.

Kim is the founder and artistic director of the Lake Champlain Chamber Music Festival (LCCMF) in Burlington, Vermont. In addition to its explorative programming and extensive work with living composers, LCCMF created the ONE Strings program through which all 3rd through 5th grade students of the Integrated Arts Academy in Burlington study violin. The University of Vermont recognized Soovin Kim’s work by bestowing an Honorary Doctorate upon him in 2015. In 2020, he and his wife, pianist Gloria Chien, became artistic directors of Chamber Music Northwest in Portland, Oregon. He, with Chien, were awarded Chamber Music Society of Lincoln Center’s 2021 CMS Award for Extraordinary Service to Chamber Music. Kim devotes much of his time to his passion for teaching at the New England Conservatory in Boston and the Yale School of Music in New Haven.

David McCarroll David McCarroll Violin

David McCarroll was appointed concertmaster of the Pittsburgh Symphony Orchestra in 2022, holding the Rachel Mellon Walton Concertmaster Chair. He has appeared as soloist with many orchestras including the Vienna Radio Symphony Orchestra, Tonkünstler-Orchester Niederösterreich (Simone Young, Grafenegg), Hong Kong Sinfonietta (Christoph Poppen), and the Pittsburgh Symphony Orchestra (Manfred Honeck). He regularly performs in major concert halls such as Konzerthaus Berlin, Vienna’s Konzerthaus and Musikverein, Amsterdam’s Concertgebouw and Muziekgebouw, Wigmore Hall, Library of Congress, Kennedy Center, 92nd Street Y, and Carnegie Hall.

Also an active chamber musician, he served from 2015 to 2022 as the violinist of the renowned Vienna Piano Trio with whom he toured and recorded extensively. The Trio’s recording of the complete Brahms piano trios was awarded the 2017 Echo Klassik prize and in 2020 the Trio’s Beethoven recording won the Opus Klassik award.

Recent performances have included Stravinsky’s violin concerto at the Konzerthaus Berlin, the Pittsburgh premiere of Schumann’s violin concerto, touring with Musicians from Marlboro, and performances of György Kurtág’s Kafka Fragments for violin and soprano.

In demand as a teacher, David is on the faculty of Carnegie Mellon University’s School of Music. He has previously taught at Salzburg’s Mozarteum University, and has given masterclasses in violin and chamber music at Ravinia’s Steans Institute, at Rice University’s Shepherd School of Music, and at the San Francisco Conservatory.

David plays a 1761 violin made by A&J Gagliano.

Artist's Website

Burchard Tang Burchard Tang Viola

Burchard Tang joined The Philadelphia Orchestra viola section in September 1999. He received a Bachelor of Arts degree in May 1999 from the Curtis Institute of Music, where he studied with Joseph DePasquale (retired Philadelphia Orchestra Principal Viola), and Choong-Jin Chang (the orchestra’s current Principal Viola). Mr. Tang has served as Principal Viola with the Curtis Symphony and the New York String Seminar, and has performed with the Brandenburg Ensemble.

A 1993 winner of the Philadelphia Orchestra Albert M. Greenfield Student Competition, Mr. Tang performed with the orchestra as a soloist. As a chamber musician, he has performed at festivals across the country including Marlboro, Seattle, Lake Champlain, Angel Fire, Caramoor, Kingston, and Ravinia.

Mr. Tang plays on a viola made for him in 2022 by Samuel Zygmuntovicz.

Paul Watkins Paul Watkins Cello

Acclaimed for his inspirational performances and eloquent musicianship, Paul Watkins enjoys a distinguished career as concerto soloist, chamber musician and conductor.

He is the Artistic Director of the Great Lakes Chamber Music Festival in Detroit (since 2014), the cellist of the Emerson String Quartet (2013-2023) and Visiting Professor of Cello at Yale School of Music (since 2018). He took first prize in the 2002 Leeds Conducting Competition, and has held the positions of Music Director of the English Chamber Orchestra and Principal Guest Conductor of the Ulster Orchestra.

As a cellist, Watkins has given regular concerto performances with prestigious orchestras across the globe. Also, a dedicated chamber musician, Watkins was a member of the Nash Ensemble (1997-2013) and the Emerson String Quartet (2013-2023). After 44 successful seasons, the quartet decided to retire, and undertook an extensive series farewell tours, culminating in their final performances in New York Lincoln Center in October 2023. This concert was filmed for a documentary by filmmaker Tristan Cook, and the release of their final recording of Berg, Chausson, Schoenberg, and Hindemith with prestigious guests soprano Barbara Hannigan and pianist Bertrand Chamayou.

As a conductor, Watkins has conducted all the major British orchestras and a wide range of international orchestras. In 2006 he made his opera debut conducting a critically praised new production of Poulenc’s La Voix Humaine for Opera North.

Artist's Website



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