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Festival Finale: A Journey Into the Light

Festival Finale: A Journey Into the Light

Our 2021 Festival Finale is a fitting testament to the trials and tribulations of the past 18 months, a collective journey of reflection — and now rejoicing. Bass-baritone Davóne Tines performs his groundbreaking exploration of the Mass woven through Western European, African American, and 21st-century traditions. As the grand finale, the Brentano String Quartet and cellist Paul Watkins perform Schubert’s profound Cello Quintet — one of the most inspiring chamber works ever composed.

Reed College, Kaul Auditorium
Saturday, 7/24 • 7:30 pm PT
Sunday, 7/25 • 4:00 pm PT

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Program

Click on any piece of music below to learn more about it.

OLIVIER MESSIAEN Quartet for the End of Time - V. “Praise to the Eternity of Jesus” (1940 - 1941)
DAVÓNE TINES Excerpts from Recital #1: MASS

DAVÓNE TINES   Excerpts from Recital #1: MASS

An exploration of the Mass woven through Western European, African American, and 21st-century traditions.

I. KYRIE
Caroline Shaw: 1. Kyrie
J. S. Bach: Wie Jammern Mich, BWV 170

II. AGNUS DEI
Caroline Shaw: 2. Agnus Dei
Tyshawn Sorey: after Swing Low

III. CREDO
Caroline Shaw: 3. Credo
J. S. Bach: Mache Dich Mein Herze Rein, BWV 244

IV. GLORIA
Caroline Shaw: 4. Gloria
Moses Hogan: Give Me Jesus

V. SANCTUS
Caroline Shaw: 5. Sanctus
Julius Eastman: Prelude to the Holy Presence of Joan D’Arc

VI. BENEDICTUS
Davóne Tines/Igee Dieudonné: VIGIL

Give Me Jesus
African-American Spiritual
Arranged by Moses Hogan
Copyright (c) 1999 by HAL LEONARD CORPORATION
International Copyright Secured. All Rights Reserved.

Mass by Caroline Shaw

Prelude To The Holy Presence Of Joan D’Arc
Composed by Julius Eastman
Published by Music Sales Corporation (ASCAP)

SCHUBERT String Quintet in C Major, D. 956, Op. 163

2021 Summer Festival Program Book

Artists

Brentano String Quartet Brentano String Quartet String Ensemble

Mark Steinberg, violin
Serena Canin, violin
Misha Amory, viola
Nina Lee, cello

Since its inception in 1992, the Brentano String Quartet has appeared throughout the world to popular and critical acclaim. “Passionate, uninhibited and spellbinding,” raves the London Independent; the New York Times extols its “luxuriously warm sound [and] yearning lyricism.”

Within a few years of its formation, the Quartet garnered the first Cleveland Quartet Award and the Naumburg Chamber Music Award and was also honored in the U.K. with the Royal Philharmonic Award for Most Outstanding Debut. Since then, the Quartet has concertized widely, performing in the world’s most prestigious venues, including Carnegie Hall in New York; the Library of Congress in Washington; the Concertgebouw in Amsterdam; the Konzerthaus in Vienna; Suntory Hall in Tokyo; and the Sydney Opera House.

In addition to performing the entire two-century range of the standard quartet repertoire, the Brentano Quartet maintains a strong interest in contemporary music, and has commissioned many new works. Their latest project, a monodrama for quartet and voice called “Dido Reimagined,” was composed by Pulitzer-winning composer Melinda Wagner and librettist Stephanie Fleischmann, and will premiere in spring 2022 with soprano Dawn Upshaw.  Other recent commissions include the composers Matthew Aucoin,  Lei Liang, Vijay Iyer, James Macmillan, and a cello quintet by Steven Mackey (with Wilhelmina Smith, cello).

The Brentano Quartet has worked closely with other important composers of our time, among them Elliot Carter, Charles Wuorinen, Chou Wen-chung, Bruce Adolphe, and György Kurtág.  They have also been privileged to collaborate with such artists as soprano Jessye Norman, mezzo-soprano Joyce DiDonato, and pianists Richard Goode, Jonathan Biss, and Mitsuko Uchida. The Quartet has recorded works by Mozart and Schubert for Azica Records, and all of Beethoven’s late Quartets for the Aeon label. In 2012, they provided the central music (Beethoven Opus 131) for the critically-acclaimed independent film A Late Quartet

Since 2014, the Brentano Quartet has served as Artists-in-Residence at the Yale School of Music. They were formerly the Ensemble-in-Residence at Princeton University, and were twice invited to be the collaborative ensemble for the Van Cliburn International Piano Competition. 

The Quartet is named for Antonie Brentano, whom many scholars consider to be Beethoven’s “Immortal Beloved,” the intended recipient of his famous love confession.

 

Artist's Website

Gloria Chien Gloria Chien Piano & Artistic Director

Taiwanese-born pianist Gloria Chien has one of the most diverse musical lives as a noted performer, concert presenter, and educator. She made her orchestral debut at the age of sixteen with the Boston Symphony Orchestra with Thomas Dausgaard, and she performed again with the BSO with Keith Lockhart. She was subsequently selected by The Boston Globe as one of its Superior Pianists of the year, “who appears to excel in everything.” In recent seasons, she has performed as a recitalist and chamber musician at Alice Tully Hall, the Library of Congress, the Phillips Collection, the Dresden Chamber Music Festival, and the National Concert Hall in Taiwan. She performs frequently with the Chamber Music Society of Lincoln Center.

In 2009, she launched String Theory, a chamber music series in Chattanooga, Tennessee that has become one of the region’s premier classical music presenters.  The following year she was appointed Director of the Chamber Music Institute at Music@Menlo. In 2017, she joined her husband, violinist Soovin Kim, as artistic director of the Lake Champlain Chamber Music Festival in Burlington, Vermont. The duo became artistic directors at Chamber Music Northwest in Portland, OR in 2020. Chien studied extensively at the New England Conservatory of Music with Wha Kyung Byun and Russell Sherman. She, with Kim, were awarded Chamber Music Society of Lincoln Center’s 2021 CMS Award for Extraordinary Service to Chamber Music.

Chien is Artist-in-Residence at Lee University in Cleveland, Tennessee, and she is a Steinway Artist. Chien received her B.M., M.M., and D.M.A. degrees from the New England Conservatory of Music as a student of Russell Sherman and Wha-Kyung Byun.

Artist's Website


Upcoming Concerts & Events

Paul Watkins Paul Watkins Cello

Acclaimed for his inspirational performances and eloquent musicianship, Paul Watkins enjoys a distinguished career as concerto soloist, chamber musician, and conductor. He is the Artistic Director of the Great Lakes Chamber Music Festival in Detroit (since 2014), the cellist of the Emerson String Quartet (2013-2023), and Visiting Professor of Cello at Yale School of Music (since 2018). He took first prize in the 2002 Leeds Conducting Competition, and has held the positions of Music Director of the English Chamber Orchestra and Principal Guest Conductor of the Ulster Orchestra.

As a cellist, Watkins has given regular concerto performances with prestigious orchestras across the globe. Also a dedicated chamber musician, Watkins was a member of the Nash Ensemble (1997-2013) and the Emerson String Quartet (2013-2023). After 44 successful seasons, the Quartet decided to retire and undertook an extensive farewell tour, culminating in their final performances in New York’s Lincoln Center in October 2023. Their final recording of Berg, Chausson, Schoenberg, and Hindemith with prestigious guests, soprano Barbara Hannigan and pianist Bertrand Chamayou, was released September 2023.

As a conductor, Watkins has conducted all the major British orchestras and a wide range of international orchestras. In 2006 he made his opera debut conducting a critically praised new production of Poulenc’s La Voix Humaine for Opera North.

Highlights of the 2023/24 season include a recording of the Richard Rodney Bennett cello concerto for Chandos with the BBC Scottish Symphony, Tippett’s Triple Concerto with the Halle orchestra, and Shostakovich with the Aalborg Symphony.

Artist's Website


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